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AJA Ki Pro GO

Ki Pro GO v2.0

Improved H.264 Recording Quality and Expanded Timecode Options

A feature rich v2.0 firmware update for Ki Pro GO is now available, offering enhancements for improved H.264 recording quality and reliability, in addition to new expanded timecode capabilities, enhanced super out and front panel audio monitoring, in-system formatting and network file download. Ki Pro GO v2.0 increases the maximum bit rate to 25 Mbps, adds 10-bit and 4:2:2 color space options, and expands timecode capabilities with new LTC available on one of the analog audio inputs.

AJA Ki Pro GO

Use with Ki Pro Ultra Plus for Multi-Channel ProRes

For the ultimate in professional Multi-Channel recording, combine your new Ki Pro GO with Ki Pro Ultra 12G and capture multiple streams, up to four per device, of Apple ProRes and H.264 in any combination that suits your needs, in only 2RU of rack space.

Ki Pro GO and Ki Pro Ultra Plus offer half rack width and 2RU height for convenient pairings in fly packs, equipment racks, OB trucks, and facility environments.

AJA Ki Pro GO

Three Cameras, One PGM Primary and Backup Recording

Connect three cameras directly to a vision mixer and then run the camera ISO feeds as well as the Line Cut/Program Feed from the vision mixer to Ki Pro GO. Capture all four of the recording channels directly to USB sticks in each of the four front of unit USB slots, as well as a combination of all four recording channels to a single USB drive connected to the fifth USB port on the rear of the unit.
AJA Ki Pro GO

Primary and Backup H.264 Recording
for Ki Pro Ultra 12G

For the best of all worlds for multi-camera shoots, connect four cameras directly to Ki Pro Ultra 12G for high quality Apple ProRes capture to AJA Pak Media. Continue the path from Ki Pro Ultra Plus’ four 3G-SDI outputs directly to a Ki Pro GO for H.264 Primary and Backup recording. Multiple recordings, discrete camera capture to ProRes and H.264, with redundancy, all in real time.
AJA Ki Pro GO

Proxy H.264
Recording for Ki Pro Ultra 12G

Multi-camera shoots requiring proxy workflows from Ki Pro Ultra 12G recordings in Apple ProRes can benefit from multi-channel capture and redundant recordings of H.264 files on Ki Pro GO at different compression settings, providing redundancy and small file sizes for proxy editing and post-production.

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